فیلم خارجی - ایران فیلیمو

Peter is thrilled that Grandpa is coming to live with his family. That is, until Grandpa moves into Peter's room, forcing him upstairs into the creepy attic. And though he loves his grandpa he wants his room back - so he has no choice but to declare war. With the help of his friends, Peter devises outrageous plans to make Grandpa surrender the room. But Grandpa is tougher than he looks. Rather than give in, Grandpa plans to get even.

An escaped slave travels north and has chance encounters with Frederick Douglass and John Brown. Based on the life story of Shields Green.

A young Chinese maiden disguises herself as a male warrior in order to save her father.

Heroes do not exist. David, a young policeman who has recently moved to Madrid, is forced to collaborate with Jorge Elías - an endearing freak and owner of a comic book shop - in order to solve a series of atrocious murders that recreate the secret origins of the classic superheroes. Each grotesque murder is a piece of a jigsaw puzzle that has the streets of Madrid as a backdrop, but whose complete image they are unable to distinguish. Jorge's encyclopedic knowledge about the comic world and the unexpected discovery of David's dark past will be fundamental in helping them solve the enigma hidden behind the awful crimes. The clues will guide them through the Spanish capital, along a labyrinth designed by a disturbed criminal mind and the only person who knows how to find the exit. Will they be able to unravel the tangled mess of clues and win the game against the troubled criminal that tries to manipulate them? They say that, sometimes, it is necessary to put on a suit and get out ...

A gorilla named Ivan tries to piece together his past with the help of an elephant named Stella as they hatch a plan to escape from captivity.

After going bankrupt, Checco (Checco Zalone), an Apulian entrepreneur, leaves to Africa in order to escape creditors. He finds a job in a tourist resort where he meets Idjaba (Manda Touré) and Oumar (Souleymane Silla), a waiter with a passion for old Italian neorealism films. When terrorists attack the area, Checco has no choice but to migrate with his friends.

The term "blood quantum" refers to a colonial blood measurement system that is used to determine an individual's Indigenous status, and is criticized as a tool of control and erasure of Indigenous peoples. The words take on even more provocative implications as the title of Jeff Barnaby's sophomore feature, which grimly depicts an apocalyptic scenario where in an isolated "Mi'gmaq" community discover they are the only humans immune to a zombie plague. As the citizens of surrounding cities flee to the "Mi'gmaq" reserve in search of refuge from the outbreak, the community must reckon with whether to let the outsiders in - and thus risk not just the extinction of their tribe but of humanity, period. The severe and scathing portrait of post-colonial Indigenous life and culture that Barnaby previously captured in the acclaimed Rhymes for Young Ghouls here deftly collides with the iconography and violent hyperbole typical of the zombie genre. The Undead are spectacularly and gruesomely ...

Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There's Willard Russell, tormented veteran of the carnage in the South Pacific, who can't save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrificial blood he pours on his "prayer log." There's Carl and Sandy Henderson, a husband-and-wife team of serial killers, who troll America's highways searching for suitable models to photograph and exterminate. There's the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte's orphaned son, who grows up to be a good but also violent man in his own right.

After 10 years of living in Paris, Selma (Golshifteh Farahani) has returned to Tunis. Back home, her younger cousin can't figure out why she'd leave the French capital, her aunt is overbearing, and her uncle is only giving her a matter of weeks to crash in the apartment above their house. Selma, nonetheless, is steadfast in her resolve: she wants to open up a psychotherapy practice. So begins the first feature directed and written by Manele Labidi, an incisive comedy about coming home, breaking taboos, and building community. As Selma tries to settle in, she's faced with increasing complications that she couldn't have predicted. There isn't just the matter of finding interested psychotherapy patients in a locale that's not keen on the talking cure, but she also needs to navigate a confusing bureaucratic circus in order to get the right papers to run her practice. On top of all that, a strapping cop, Naim (Majd Mastoura), is keeping a close eye on her every move.

A rich retired banker and his family book a secluded lavish villa in a countryside. The guy is suffering from ugly nightmares since his first wife's suicide. He starts suspecting his new young wife but after checking her laptop and mobile phone, he doesn't find anything incriminating. During his visit to the nearby town, a grocery store owner tells the guy something weird about the house.